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CLX Art

世界上最好的全频静电线源扬声器。

在声音再现中体验真相

CLX提供了真相 - 自1983年我们将第一款产品推向市场以来,我们对静电技术所学到的一切都达到了顶峰。声音的纯净度渗透到整个房间,甚至满足最关键的耳朵。作为解决细节的新行业基准,CLX利用双静电传感器来呈现最复杂的音乐通道,就像水晶棱镜分散全彩色光谱一样忠实。这是CLX的无限光谱,是音乐再现的绝对真理。


US$29,999.98 对
寻找经销商

CLX 艺术

MartinLogan很自豪地宣布推出全球最好的全系列静电线源扬声器。 CLX 艺术结合了我们最受欢迎的升级,包括艺术框架造型(带有额外的硬木),不锈钢接线柱和优质电源线。访问MartinLogan 杰作经销商 ,立即打造您的产品。

CLX  Art

57英寸CLS™XStat™静电传感器

MartinLogan屡获殊荣的Curvilinear Line Source(CLS)XStat静电(ESL)技术可在整个聆听区域内平滑无阻地分散声音。结果?通过最小的房间互动实现完美蚀刻的成像和聚焦;最佳的声音自然再现,超线性传感器的全反应;在露天可靠运行;兼容所有电子产品;在整个聆听环境中无缝分散精确的声音。

先进的MicroPerf定子技术为MartinLogan的最新一代CLS静电传感器提供了几乎两倍于相同尺寸的传统静电面板的外露隔膜表面。有效辐射面积的这种显着增加转化为更高的效率和更加轻松,无限的动态呈现。 XStat没有任何打击!

但更重要的是它不仅仅是在定子中加入更多的漏洞。 ClearSpar™垫片在整个宽度上进一步加固组件。 ClearSpars可实现真空粘合隔膜的精确,一致的张紧,而不会妨碍浮动,透视外观,这是MartinLogan静电隔膜的视觉标志。

最后,扬声器不能超过馈送它的信号。 MartinLogan最先进的环形变压器和电气接口工程确保了从放大器到静电面板的绝对透明连接。结果是无与伦比的纯度,精确度,清晰度和开放性的声音 - 对于没有扬声器的下一个最好的事情。

曲线线源静电面板

作为MartinLogan最初的突破之一,CLS技术已经成为我们生产的每一个静电扬声器的重要组成部分。专有制造方法能够将静电板构造成圆柱形部分。它们平缓的水平曲率解决了从大的辐射表面获得良好的高频色散而不影响整体声音质量或可靠性的问题。

57英寸DualForce™双隔膜,三极定子低频静电传感器,带偶极相稳定

CLX独特的DualForce双振膜,三重定子偶极子低频静电传感器可提供深度动态低音,其功率是标准ESL的两倍。此外,CLX的低频偶极稳定技术可减少偶极传感器固有的低频后波消除。这是通过增加CLX后面的空气路径长度并延迟异相反向波来实现的。由此导致的低频前波消除的降低增加了整体输出,同时最小化了低频下的总谐波失真。

真空粘合

每个XStat面板的组件 - 两个绝缘的高纯碳钢定子,等离子沉积的PET隔膜和ClearSpar垫片 - 融合成圆柱形截面几何形状,其航空粘合剂的保持强度超过焊接强度。我们专有的真空粘合工艺可确保均匀的隔膜张紧,并有助于构建这种精密传感器所需的极其严格的公差。

MartinLogan静电传感器的部件

高/中频范围


MartinLogan Electrostatic Transducer.
  • A)等离子粘合隔膜
  • B)ClearSpar垫片
  • C)MicroPerf定子
MartinLogan DualForce™传感器的一部分

低频范围


MartinLogan Electrostatic Transducer.
  • A)等离子粘合隔膜
  • B)ClearSpar垫片
  • C)MicroPerf定子

MicroPerf定子

虽然定子是静电驱动器的元件,它们应该静止不动,但它们带有音频信号,可以前后推动振动膜以移动空气并产生声音。因为定子将隔膜夹在它们之间,所以它们必须穿孔以允许声音通过。然而,它们也必须足够刚性以保持绝对静止,尽管在操作期间强大的静电力推动和拉动它们。

MartinLogan的MicroPerf设计通过减小单个孔的尺寸并使用比传统静电面板更多的孔来优化这种权衡。 MicroPerf几乎使有效隔膜辐射面积增加一倍,而不会影响结构完整性。由此带来的输出能力和效率的提高使得面板可以在不牺牲性能的情况下制造得更小 - 或者在不增大的情况下享受带宽和动态性的巨大飞跃。

CLX  Art

手搓实木

CLX 艺术品标配有轻微弯曲的艺术框架,有3种标准手工擦拭,真正的硬木饰面;黑灰,黑樱桃和枫树。还提供高级高光饰面选项*。

*高级高光饰面需要额外的时间来建造和交付,请与您当地的储备经销商联系以获取更多信息。

CLX  Art

Vojtko™滤波器拓扑

MartinLogan电子专家采用先进的专有Vojtko滤波器拓扑结构,只使用最精细的元件和构造技术手工构建每个CLX滤波器,以确保最干净,最精确的信号路径。由此产生的精密滤波器可以毫无保留地保留声音中最微小的细微差别,同时毫不费力地处理即使是最苛刻的声波源中包含的最广泛的动态范围,无论是在双声道音频系统还是专用家庭影院中使用。

在接口模块内,即使在最极端的条件下,稳压电源也能产生稳定的偏置电压。双变压器设计采用环形音频变压器,用于详细的中频和高频,以及高品质,高压EI变压器,用于动态线性低音。所有高压引线均由最纯净的铜制成,并涂有硅胶。仅使用最高级的材料,包括氧化铝基板电阻器上的厚膜和聚丙烯电容器。

自定义CLX /低音炮滤波器

超低音扬声器和全频扬声器之间的无缝融合在最好的情况下是具有挑战性的 - 当您处理诸如CLX之类的无限制参考电平产品时,没有错误的余地。在BalancedForce 210和212超低音扬声器中增加一个可选的定制“CLX滤波器”,可以避免实现卓越的低频性能。

可选滤波器包含一个优化的低通滤波器,可精确匹配CLX的56Hz低频滚降。安装此自定义过滤器后,设置只需调整子级的阶段和级别。此自定义滤镜仅应用于重低音扬声器的左右输入。子的LFE输入保持未经过滤,允许环绕前置放大器/处理器发送中心,环绕声和LFE声道的低频信息,而不会影响CLX的性能。

CLX  Art

EcoSound和环保设计

壮观的低音再现并不是新MartinLogan CLX中唯一的技术突破。这款无与伦比的全系列静电扬声器也采用最美观,刚性和环保材料制成 - EcoSound。我们之所以选择EcoSound,是因为CLX设计需要极其坚固的结构合理的框架材料。鉴于我们对使用环保型制造业的承诺,我们也想要一种完全可持续的材料。

EcoSound是我们与可持续制造材料设计师Klip BioTechnologies合作的最新创新。它是FSC认证的50/50可再生竹纤维和100%消费后再生木材和/或纸纤维的混合物。它们使用不含石油和VOC的水基树脂永久粘合在一起。严格的测试发现,与MDF和其他更传统的材料相比,CLX中使用的EcoSound材料可提供出色的内部阻尼。这对于保持CLX卓越的声音清晰度和缺乏声波音箱贡献至关重要。

EcoSound美观,密实,耐用,采用100%环保材料制成,具有独特的自然表面纹理,边缘像光滑的石头。随着时间的推移,EcoSound丰富的黑色颜色不会因紫外线照射而褪色。此外,CLX的EcoSound表面具有出色的抗划伤性,与传统材料不同,它不会因过度潮湿而膨胀。偶尔使用精加工油很容易维护。

CLX  Art

关注EcoSound

我们鼓励您偶尔使用精加工油来保持EcoSound丰富的深色,并让您的CLX扬声器保持最佳状态。使用柔软的无绒布,只需将家具级精加工油擦到EcoSound表面即可。我们推荐天然橙色或柠檬精细家具油,以获得最佳效果。这种易于重复的过程将使您的EcoSound始终恢复原有的均匀光泽。

MartinLogan CLX Full-Range Electrostatic Loudspeaker: A New Standard of Transparency

"Because they are so neutral in balance, so “not there” as sound sources, so low in distortion and high in transparency, they make my better and best recordings, particularly of smaller-scale music, sound more realistic than any other speaker I’ve had in my home (at low to medium-loud volumes)."

—Jonathan Valin, The Absolute Sound
阅读完整的评论»


Acoustics Test MartinLogan CLX Art [RUSSIAN]

"[Translated] Loudspeakers of reference level, both in sound and performance, which deserve an honorable place in the audio Hall of Fame. artinLogan CLX Art, literally stuffed with advanced technological innovations, is a sample of holography and three-dimensionality: the most important parameters to which any high-end system can aspire. It is simply impossible to not fall in love with them."

—Anatoly Maksimenko, Hi-Fi.ru
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Girls, Shoes and Speakers

"The extra level of resolution provided by the CLX brings you so much closer to the music, providing an immersive field of sound that takes you somewhere special."

—Jeff Dorgay, Tone Audio
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The Speaker They Said They'd Never Build

"It's this sense of completeness, the way that everything you get is presented as part of a single, coherent and contiguous whole that makes the CLXs so special; that and the fact that they do so without reducing the music, the musicians or their range of colours"

—Roy Gregory, Absolute Sound
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MartinLogan CLX Electrostatic Loudspeakers Reviewed

"CLX's are everything I could've hoped for and more. They exceeded my aural expectations in ways I was prepared for having owned the older CLS'. These are not an update, no sir, the CLX are a whole new animal, one that if you're lucky enough to let them out of the cage, will astound you with their sonic beauty and grace but be able to maul you with their bass. Seriously, I can think of no other speaker I'd rather own right now than the CLX's"

—Andrew Robinson, Home Theater Review
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Martin Logan's new CLX From Hi-Fi World

"...what Martin Logan have achieved with the CLX is impressive; they are a near perfect exponent of the art. Technically and subjectively their tonal balance is convincing, sound from the Mylar film is unobstructed by the stators for unrivalled insight, detail retrieval and clarity, bass power is plentiful and maximum volume very high..A meticulously crafted electrostatic that's free from traditional limitations, this is one of the very best loudspeakers money can buy."

—Noel Keywood, Hi-Fi World
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奖项

产品规格

规格如有更改,恕不另行通知

频率响应

56-23,000 Hz±3dB

推荐的放大器功率

每通道20-450瓦

水平分散

30°

垂直分散

57英寸(145厘米)线源

灵敏度

90 dB / 2.83伏/米

阻抗

6欧姆,0.7kHz,20kHz兼容4,6或8欧额定放大器。

交叉频率

360Hz的

高频传感器

XStat™CLS™静电传感器。 »面板尺寸:57“x 8.6”(145 x 22cm)»散热面积:490in²(3,190cm²)

低频传感器

DualForce™双振膜,三重定子偶极子低频静电传感器»面板尺寸:57“x 11.5”(144.8 x 29.2cm)»散热面积:656in²(4,228cm²)

组件

氧化铝基板电阻器,空心线圈,聚丙烯电容器和定制绕制环形音频变压器上的厚膜

输入

自定义绑定帖子

灯光

光强度调光器控制

重量

110磅(50公斤)

外形尺寸

70.32“x 25.75”x 14.69“(178.6cm x 65.4cm x 37.3cm)

顾客评论 对于 CLX Art

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GW1800

  • 2017年8月9日星期三

Best Sound Yet!
My initial ML system included Summit X's and two Descent i's back in 2011. I really liked that system and just fell in love with how good the sound was particularly vocals. The quickness and the detail is just remarkable. After doing some tweaking to my electronics and interconnects I was itching to further improve if it was possible. I contemplated a better SACD player, amps etc. but my dealer from DaVinci Media suggested to really make a significant move I needed to upgrade to the CLX's. He has always been honest with his suggestions but this one did make me pause as the extra investment was substantial. After thinking about it I took his advice and could not be happier(moved the Summit X's and Descent i's to start my upgrade of my Media room). Actually after purchasing the CLX's I have upgraded everything including the subs over the past couple of years. My electronics, interconnects, grounding, DAC etc. have all been replaced and these speakers make it easy to hear all the changes. Lately working on adding more acoustical tiles with great results. What I'm getting at is these speakers seem to have no limit and will reward you as you keep refining your system. Also like most of you I do not have an ideal room or distance from the front wall. Maybe someday I will and when that day does come I fully expect even better results. Specifically owning a CLX pair what can you expect? Its like the difference of hearing a recording and being there it's that dramatic. Its really hard to put into words the depth, width, height and placement of instruments and singers is just terrific. I think with the CLX being virtually a full range speaker also helps in that you get a lot of the benefits of the electrostatic design sonically over a much wider frequency compared to a hybrid. I still like the subs to help round out the very low bottom. The 212 subs with the custom crossover really integrates well with the CLX and at no time can you point them out listening to music. Go listen to a set of CLX's, trust your ears and I think you will come to the same conclusion that I have! Associated Equipment: Aurender N10 Music Server, Bricasti M1 SE DAC, Bricasti M28 Mono amps and various Nordost interconnects and power all Vahalla V2 or Odin2. Other Nosdost products include 2-QX4, 5-QV2, 5-QK1, QB8, TC Sort Kones under QK4's, QB8, Aurender N10, QKore 6 - Sort Fut under CLX, 212's, Rack, QB8 and Qkore. Also latest QKore 6 grounding.

rower30

  • 2013年12月31日星期二

CLX art exceed expectations.
How did I end up with CLX art speakers? Well, I am a cable development engineer for Belden, and in the process of working with cable designs I used a Martin Logan SUMMIT-X in those trials, as well as my own speakers. The SUMMIT-X speakers were a friends, who just happens to work for Martin Logan. So that sets the stage for hearing Martin Logan products for the first time. The problem was the extended development cycle of the cables, and with the changes in sound so readily apparent on his summit-X speakers. So much so, that his system "broke" mine! I had to leave my system alone for a few days till my brain forgot the fantastic detail and realism of those SUMMIT-X transducers. I never really though I was an electrostatic guy, and all the rumors about issues with these exotic bread of speakers. I eventually said, if you EVER sell those speakers, call me! He didn't, but said to buy the even better CLX-art versions. I did, and now there is no going back to dynamic drivers anywhere in the near future. For a dynamic driver person (or I thought I was) the first electrostatic experience is almost a "confrontation" of your expectations of what a stereo sounds like. It should sound like expertly REPRODUCED sound. The SUMMIT-X and CLX-art DO NOT sound like that as they are much closer to REAL MUSIC! This can REALLY, REALLY mess with your head as you need to change what the musical expectations are. The CLX art are moving things to a totally different presentation. OK, first things first for the dynamic driver crowd. No, the CLX art won't give the DYNAMIC POP in the bass, but it is far from bad. And with subs, it is almost a non-issue. But yes, dynamic drivers can do the "hit" better if that's your thing. They also industrialize the sound and erase all the micro-dynamic detail up and down the frequency spectrum. Of course YOUR dynamic driver speakers don't...until you listen to a CLX art, anyway. Happened to me, that's for sure. Dynamic drivers are getting better, but DO NOT listen to a CLX art until you want to know what they leave on the table. These CLX art speakers take some serious break-in time. Mine have maybe 50 hours on them, and have improved markedly in richness. So be patient with a set that's new. Every hi-end speaker I've owned, Vandersteen Quatro's, Dynaudio C4's ETC has been like this, they are STILL dampened mechanical devices. After many hours I finally REALLY listened to them. I stuck a Hans Thesessink and best of Peter Paul and Mary CD in and melted into my seat. This can't really be a review because I can't seriously explain how RIGHT these speakers "get it" through their frequency range. The fluid, visceral, liquid nature of voices is almost unsettlingly real. Higher frequencies are also so right. The energy in a cymbal isn't stuffed into a single hissing band I'm used to hearing, but extends up and down the frequency range in a fantastic balance that makes cymbals finally sound like cymbals. Expansive vocal chorus presentations are immense in size, to the nature of the musical event, and specific detail right down to every individual head in the choir. I've heard expansiveness before, but NOT the incredible detail and resolution. CLX art speakers simply seem to make music "appear" and not be "produced". Their micro dynamics are so incredibly delicate a butterfly can be hard flitting about. Yes, you don't think of dynamic as delicate, but they can be both delicate and hugely rash (saxophone) as needed. There is absolutely NO harmonic overruns that aren't in the music. Those dynamic driver resonance sounds you used to think is music are GONE. I had to get over that. I do indeed like deep bass, and I used a pair of 10" Velodyne DD10+ subs, and moved them to the CLX arts. They seem to work better than expected...and their smaller stereo pair size helps them be acceptably quick to better match the panels. What I wasn't expecting is the "sound" of the bass being so much more complex and resolving. If there are 100 words for snow, my old dynamic driver speakers got maybe 25% of the words across, the CLX arts? I'd say about 95% (they are still not fully broken in). I listen to little rock, but Supertramp, NICKEL BACK and the like still puts it out on the CLX-art with subs. The myths of electrostatic speakers have been busted in my mind. Imaging? I feared I'd get this detailed euphoric expanse of sound everyone references. Nope, the imaging is real life sized and precise in a HUGE box between and behind the speakers. There is so little mechanical resonance on the CLX art that the blackness and openness rides to infinity. The space around everything, not just the bass, midrange or treble, is utterly amazing. Box, what box? I detect ZERO electrostatic "halo" people also reference. You can make them brighter with position, but that's NOT a membrane resonance, it is energy distribution in the room. Hard to drive? My MOON W-8 barely gets warm runningvthem at 85dB average. My dynamic driver speakers got the W-8 HOT to the touch. The ideal seating position isn't as bad as many claim in my room, which is a screwy room, a 40' long room with a "L" shaped end. One speaker is against the wall, the other in the open end of the "L". So each speaker is really in a different "room". Some toe-in and out of each speaker got the image placement correct and excellent sounding. Truth be told, NO speaker I've owned and used in this room has sounded good in all but one single spot. The CLX arts sound SO GOOD in THAT ideal spot you never want to leave it anyway! They are so good you don't want to accept less. My dynamic driver speakers never reach the perfection of the CLX art, so moving about doesn't really make them much worse. I'm not sure if that's a compliment to dynamic driver speakers, really. It takes a few days to get used to dipole radiators, as everything seems backwards. They get louder as you move AWAY from the speaker. Speaker placement and toe in or out is also more room dependant to center the image. Throw away the 1/3 of the panel thing and LISTEN to the music! Get the speakers placed right so the midrange is centered, full, liquid and resolving. WHO CARES where the speakers are pointed. In my two different rooms "L" shaped mess mine are in, the speakers are a parallelogram. The right speaker by the wall is toed in. The left speaker in the open end of the "L" is toed in on the BASS panel side. So the hi-frequency panels are BOTH 62" from a front wall, with the BASS panels toed IN (right) and OUT (left) 3 inches. This places the imaging in a more center position with a full resolving sound. Yes, the room loads the speakers differently so be open minded to placement. Try stuff that's "wrong" in an ideal room. I'll keep tuning the placement but this odd ball looking set-up gets the job done. The image placement is in the upper third of the panels in my room, and wonderfully expansive to the left and right and even beyond the speakers. Voices and images are "big" but to a life-size rendition. So huge they are not. Correct they are. You won't see Linda Rhonstadt's tonsils if you dig overly large imaging. And on the other hand, they aren't British in compressing the image into a tiny pinpoint of spatial precision, either. The CLX art have pushed my expectations of musical "reproduction" to simply hearing the music. You just have to audition a set to understand this speaker, as it is so unlike anything else. I started out developing cables, and ended up buying new speakers! Rating a speaker is very subjective so my criteria is it can't be 5 stars unless it does EVERYTHING, so I give 4 stars to the CLX arts by themselves. The CLX art lack that dynamic bass POP which is not the same thing as static frequency response where they do very well (I measured them), but dynamic accuracy in the bass. Yes, I have a few cuts that are nuts dynamic in the bass. They are good, but I need those two subs too open-up the low frequency dynamics. But you simply cannot get the rest of the sound without the CLX arts. They do SO much more right than wrong compared to any speaker I've listen to and yes, even the MAGICO's and FOCAL EM series. So yes, there is a spot where they will excel to amazing standards for their price and you won't mind seating yourself there, either. It's not a head in a vise seat, but a relaxed livable position that is totally rewarding. If you need crocodile tears, put one in front of a set of CLX arts and bring a bucket! Way to go Martin Logan.