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CLX Art

世界上最好的全頻靜電線源揚聲器。

在聲音再現中體驗真相

CLX提供了真相 - 自1983年我們將第一款產品推向市場以來,我們對靜電技術所學到的一切都達到了頂峰。聲音純度滲透到整個房間,甚至滿足最關鍵的耳朵。作為解決細節的新行業基準,CLX利用雙靜電傳感器來呈現最複雜的音樂通道,就像水晶棱鏡分散全彩色光譜一樣忠實。這是CLX的無限光譜,是音樂再現的絕對真理。


US$29,999.98 對
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CLX 藝術

MartinLogan很自豪地宣布推出全球最好的全系列靜電線源揚聲器。 CLX 藝術融合了我們最受歡迎的升級,包括藝術框架造型(帶有額外的硬木),不銹鋼接線柱和優質電源線。訪問MartinLogan 傑作經銷商 ,立即打造您的產品。

CLX  Art

57英寸CLS™XStat™靜電傳感器

MartinLogan屢獲殊榮的Curvilinear Line Source(CLS)XStat靜電(ESL)技術可在整個聆聽區域內平滑無阻地分散聲音。結果?通過最小的房間互動實現完美蝕刻的成像和聚焦;最佳的聲音自然再現,超線性傳感器的全反應;在露天可靠運行;兼容所有電子產品;在整個聆聽環境中無縫分散精確的聲音。

先進的MicroPerf定子技術為MartinLogan的最新一代CLS靜電傳感器提供了幾乎兩倍於相同尺寸的傳統靜電面板的外露隔膜表面。有效輻射面積的這種顯著增加轉化為更高的效率和更加輕鬆,無限的動態呈現。 XStat沒有任何打擊!

但更重要的是它不僅僅是在定子中加入更多的漏洞。 ClearSpar™墊片在整個寬度上進一步加固組件。 ClearSpars可實現真空粘合隔膜的精確,一致的張緊,而不會妨礙浮動,透視外觀,這是MartinLogan靜電隔膜的視覺標誌。

最後,揚聲器不能超過饋送它的信號。 MartinLogan最先進的環形變壓器和電氣接口工程確保了從放大器到靜電面板的絕對透明連接。結果是無與倫比的純度,精確度,清晰度和開放性的聲音 - 對於沒有揚聲器的下一個最好的事情。

曲線線源靜電面板

作為MartinLogan最初的突破之一,CLS技術已經成為我們生產的每一個靜電揚聲器的重要組成部分。專有製造方法能夠將靜電板構造成圓柱形部分。它們平緩的水平曲率解決了從大的輻射表面獲得良好的高頻色散而不影響整體聲音質量或可靠性的問題。

57英寸DualForce™雙隔膜,三極定子低頻靜電傳感器,帶偶極相穩定

CLX獨特的DualForce雙振膜,三重定子偶極子低頻靜電傳感器可提供深度動態低音,其功率是標準ESL的兩倍。此外,CLX的低頻偶極穩定技術可減少偶極傳感器固有的低頻後波消除。這是通過增加CLX後面的空氣路徑長度並延遲異相反向波來實現的。由此導致的低頻前波消除的降低增加了整體輸出,同時最小化了低頻下的總諧波失真。

真空粘合

每個XStat面板的組件 - 兩個絕緣的高純碳鋼定子,等離子沉積的PET隔膜和ClearSpar墊片 - 融合成圓柱形截面幾何形狀,其航空粘合劑的保持強度超過焊接強度。我們專有的真空粘合工藝可確保均勻的隔膜張緊,並有助於構建這種精密傳感器所需的極其嚴格的公差。

MartinLogan靜電傳感器的部件

高/中頻範圍


MartinLogan Electrostatic Transducer.
  • A)等離子粘合隔膜
  • B)ClearSpar墊片
  • C)MicroPerf定子
MartinLogan DualForce™傳感器的一部分

低頻範圍


MartinLogan Electrostatic Transducer.
  • A)等離子粘合隔膜
  • B)ClearSpar墊片
  • C)MicroPerf定子

MicroPerf定子

雖然定子是靜電驅動器的元件,它們應該靜止不動,但它們帶有音頻信號,可以前後推動振膜以移動空氣並產生聲音。因為定子將隔膜夾在它們之間,所以它們必須穿孔以允許聲音通過。然而,它們也必須足夠剛性以保持絕對靜止,儘管在操作期間強大的靜電力推動和拉動它們。

MartinLogan的MicroPerf設計通過減小單個孔的尺寸並使用比傳統靜電面板更多的孔來優化這種權衡。 MicroPerf幾乎使有效隔膜輻射面積增加一倍,而不會影響結構完整性。由此帶來的輸出能力和效率的提高使得面板可以在不犧牲性能的情況下製造得更小 - 或者在不增大的情況下享受帶寬和動態性的巨大飛躍。

CLX  Art

手搓實木

CLX 藝術品標配有輕微彎曲的藝術框架,有3種標準手工擦拭,真正的硬木飾面;黑灰,黑櫻桃和楓樹。還提供高級高光飾面選項*。

*高級高光飾面需要額外的時間來建造和交付,請與您當地的儲備經銷商聯繫以獲取更多信息。

CLX  Art

Vojtko™濾波器拓撲

MartinLogan電子專家採用先進的專有Vojtko濾波器拓撲結構,只使用最精細的元件和構造技術手工構建每個CLX濾波器,以確保最乾淨,最精確的信號路徑。由此產生的精密濾波器可以毫無保留地保留聲音中最微小的細微差別,同時毫不費力地處理即使是最苛刻的聲波源中包含的最廣泛的動態範圍,無論是在雙聲道音頻系統還是專用家庭影院中使用。

在接口模塊內,即使在最極端的條件下,穩壓電源也能產生穩定的偏置電壓。雙變壓器設計採用環形音頻變壓器,用於詳細的中頻和高頻,以及高品質,高壓EI變壓器,用於動態線性低音。所有高壓引線均由最純淨的銅製成,並塗有矽膠。僅使用最高級的材料,包括氧化鋁基板電阻器上的厚膜和聚丙烯電容器。

自定義CLX /低音炮濾波器

超低音揚聲器和全頻揚聲器之間的無縫融合在最好的情況下是具有挑戰性的 - 當您處理諸如CLX之類的無限制參考電平產品時,沒有錯誤的餘地。在BalancedForce 210和212超低音揚聲器中增加一個可選的定制“CLX濾波器”,可以避免實現卓越的低頻性能。

可選濾波器包含一個優化的低通濾波器,可精確匹配CLX的56Hz低頻滾降。安裝此自定義過濾器後,設置只需調整子級的階段和級別。此自定義濾鏡僅應用於重低音揚聲器的左右輸入。子的LFE輸入保持未經過濾,允許環繞前置放大器/處理器發送中心,環繞聲和LFE聲道的低頻信息,而不會影響CLX的性能。

CLX  Art

EcoSound和環保設計

壯觀的低音再現並不是新MartinLogan CLX中唯一的技術突破。這款無與倫比的全系列靜電揚聲器也採用最美觀,最堅固,最環保的材料製成 - EcoSound。我們之所以選擇EcoSound是因為CLX設計需要一種結構極其堅固的框架材料。鑑於我們對使用環保型製造業的承諾,我們也想要一種完全可持續的材料。

EcoSound是我們與可持續製造材料設計師Klip BioTechnologies合作的最新創新。它是FSC認證的50/50可再生竹纖維和100%消費後再生木材和/或紙纖維的混合物。它們使用不含石油和VOC的水基樹脂永久粘合在一起。嚴格的測試發現,與MDF和其他更傳統的材料相比,CLX中使用的EcoSound材料可提供出色的內部阻尼。這對於保持CLX卓越的聲音清晰度和缺乏聲波音箱貢獻至關重要。

EcoSound美觀,密實,耐用,採用100%環保材料製成,具有獨特的自然表面紋理,邊緣像光滑的石頭。隨著時間的推移,EcoSound豐富的黑色不會因紫外線照射而褪色。此外,CLX的EcoSound表面具有出色的抗劃傷性,與傳統材料不同,它不會因過度潮濕而膨脹。偶爾使用精加工油很容易維護。

CLX  Art

關注EcoSound

我們鼓勵您偶爾使用精加工油來保持EcoSound豐富的深色,並讓您的CLX揚聲器保持最佳狀態。使用柔軟的無絨布,只需將家具級精加工油擦到EcoSound表面即可。我們推薦天然橙色或檸檬精細家具油,以獲得最佳效果。這種易於重複的過程將使您的EcoSound始終恢復原有的均勻光澤。

MartinLogan CLX Full-Range Electrostatic Loudspeaker: A New Standard of Transparency

"Because they are so neutral in balance, so “not there” as sound sources, so low in distortion and high in transparency, they make my better and best recordings, particularly of smaller-scale music, sound more realistic than any other speaker I’ve had in my home (at low to medium-loud volumes)."

—Jonathan Valin, The Absolute Sound
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Acoustics Test MartinLogan CLX Art [RUSSIAN]

"[Translated] Loudspeakers of reference level, both in sound and performance, which deserve an honorable place in the audio Hall of Fame. artinLogan CLX Art, literally stuffed with advanced technological innovations, is a sample of holography and three-dimensionality: the most important parameters to which any high-end system can aspire. It is simply impossible to not fall in love with them."

—Anatoly Maksimenko, Hi-Fi.ru
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Girls, Shoes and Speakers

"The extra level of resolution provided by the CLX brings you so much closer to the music, providing an immersive field of sound that takes you somewhere special."

—Jeff Dorgay, Tone Audio
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The Speaker They Said They'd Never Build

"It's this sense of completeness, the way that everything you get is presented as part of a single, coherent and contiguous whole that makes the CLXs so special; that and the fact that they do so without reducing the music, the musicians or their range of colours"

—Roy Gregory, Absolute Sound
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MartinLogan CLX Electrostatic Loudspeakers Reviewed

"CLX's are everything I could've hoped for and more. They exceeded my aural expectations in ways I was prepared for having owned the older CLS'. These are not an update, no sir, the CLX are a whole new animal, one that if you're lucky enough to let them out of the cage, will astound you with their sonic beauty and grace but be able to maul you with their bass. Seriously, I can think of no other speaker I'd rather own right now than the CLX's"

—Andrew Robinson, Home Theater Review
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Martin Logan's new CLX From Hi-Fi World

"...what Martin Logan have achieved with the CLX is impressive; they are a near perfect exponent of the art. Technically and subjectively their tonal balance is convincing, sound from the Mylar film is unobstructed by the stators for unrivalled insight, detail retrieval and clarity, bass power is plentiful and maximum volume very high..A meticulously crafted electrostatic that's free from traditional limitations, this is one of the very best loudspeakers money can buy."

—Noel Keywood, Hi-Fi World
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獎項

產品規格

規格如有更改,恕不另行通知

頻率響應

56-23,000 Hz±3dB

推薦的放大器功率

每通道20-450瓦

水平分散

30°

垂直分散

57英寸(145厘米)線源

靈敏度

90 dB / 2.83伏/米

阻抗

6歐姆,0.7kHz,20kHz兼容4,6或8歐額定放大器。

交叉頻率

360Hz的

高頻傳感器

XStat™CLS™靜電傳感器。 »面板尺寸:57“x 8.6”(145 x 22cm)»散熱面積:490in²(3,190cm²)

低頻傳感器

DualForce™雙振膜,三重定子偶極子低頻靜電傳感器»面板尺寸:57“x 11.5”(144.8 x 29.2cm)»散熱面積:656in²(4,228cm²)

組件

氧化鋁基板電阻器,空心線圈,聚丙烯電容器和定制繞製環形音頻變壓器上的厚膜

輸入

自定義綁定帖子

燈光

光強度調光器控制

重量

110磅(50公斤)

外形尺寸

70.32“x 25.75”x 14.69“(178.6cm x 65.4cm x 37.3cm)

顧客評論 對於 CLX Art

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GW1800

  • 2017年8月9日星期三

Best Sound Yet!
My initial ML system included Summit X's and two Descent i's back in 2011. I really liked that system and just fell in love with how good the sound was particularly vocals. The quickness and the detail is just remarkable. After doing some tweaking to my electronics and interconnects I was itching to further improve if it was possible. I contemplated a better SACD player, amps etc. but my dealer from DaVinci Media suggested to really make a significant move I needed to upgrade to the CLX's. He has always been honest with his suggestions but this one did make me pause as the extra investment was substantial. After thinking about it I took his advice and could not be happier(moved the Summit X's and Descent i's to start my upgrade of my Media room). Actually after purchasing the CLX's I have upgraded everything including the subs over the past couple of years. My electronics, interconnects, grounding, DAC etc. have all been replaced and these speakers make it easy to hear all the changes. Lately working on adding more acoustical tiles with great results. What I'm getting at is these speakers seem to have no limit and will reward you as you keep refining your system. Also like most of you I do not have an ideal room or distance from the front wall. Maybe someday I will and when that day does come I fully expect even better results. Specifically owning a CLX pair what can you expect? Its like the difference of hearing a recording and being there it's that dramatic. Its really hard to put into words the depth, width, height and placement of instruments and singers is just terrific. I think with the CLX being virtually a full range speaker also helps in that you get a lot of the benefits of the electrostatic design sonically over a much wider frequency compared to a hybrid. I still like the subs to help round out the very low bottom. The 212 subs with the custom crossover really integrates well with the CLX and at no time can you point them out listening to music. Go listen to a set of CLX's, trust your ears and I think you will come to the same conclusion that I have! Associated Equipment: Aurender N10 Music Server, Bricasti M1 SE DAC, Bricasti M28 Mono amps and various Nordost interconnects and power all Vahalla V2 or Odin2. Other Nosdost products include 2-QX4, 5-QV2, 5-QK1, QB8, TC Sort Kones under QK4's, QB8, Aurender N10, QKore 6 - Sort Fut under CLX, 212's, Rack, QB8 and Qkore. Also latest QKore 6 grounding.

rower30

  • 2013年12月31日星期二

CLX art exceed expectations.
How did I end up with CLX art speakers? Well, I am a cable development engineer for Belden, and in the process of working with cable designs I used a Martin Logan SUMMIT-X in those trials, as well as my own speakers. The SUMMIT-X speakers were a friends, who just happens to work for Martin Logan. So that sets the stage for hearing Martin Logan products for the first time. The problem was the extended development cycle of the cables, and with the changes in sound so readily apparent on his summit-X speakers. So much so, that his system "broke" mine! I had to leave my system alone for a few days till my brain forgot the fantastic detail and realism of those SUMMIT-X transducers. I never really though I was an electrostatic guy, and all the rumors about issues with these exotic bread of speakers. I eventually said, if you EVER sell those speakers, call me! He didn't, but said to buy the even better CLX-art versions. I did, and now there is no going back to dynamic drivers anywhere in the near future. For a dynamic driver person (or I thought I was) the first electrostatic experience is almost a "confrontation" of your expectations of what a stereo sounds like. It should sound like expertly REPRODUCED sound. The SUMMIT-X and CLX-art DO NOT sound like that as they are much closer to REAL MUSIC! This can REALLY, REALLY mess with your head as you need to change what the musical expectations are. The CLX art are moving things to a totally different presentation. OK, first things first for the dynamic driver crowd. No, the CLX art won't give the DYNAMIC POP in the bass, but it is far from bad. And with subs, it is almost a non-issue. But yes, dynamic drivers can do the "hit" better if that's your thing. They also industrialize the sound and erase all the micro-dynamic detail up and down the frequency spectrum. Of course YOUR dynamic driver speakers don't...until you listen to a CLX art, anyway. Happened to me, that's for sure. Dynamic drivers are getting better, but DO NOT listen to a CLX art until you want to know what they leave on the table. These CLX art speakers take some serious break-in time. Mine have maybe 50 hours on them, and have improved markedly in richness. So be patient with a set that's new. Every hi-end speaker I've owned, Vandersteen Quatro's, Dynaudio C4's ETC has been like this, they are STILL dampened mechanical devices. After many hours I finally REALLY listened to them. I stuck a Hans Thesessink and best of Peter Paul and Mary CD in and melted into my seat. This can't really be a review because I can't seriously explain how RIGHT these speakers "get it" through their frequency range. The fluid, visceral, liquid nature of voices is almost unsettlingly real. Higher frequencies are also so right. The energy in a cymbal isn't stuffed into a single hissing band I'm used to hearing, but extends up and down the frequency range in a fantastic balance that makes cymbals finally sound like cymbals. Expansive vocal chorus presentations are immense in size, to the nature of the musical event, and specific detail right down to every individual head in the choir. I've heard expansiveness before, but NOT the incredible detail and resolution. CLX art speakers simply seem to make music "appear" and not be "produced". Their micro dynamics are so incredibly delicate a butterfly can be hard flitting about. Yes, you don't think of dynamic as delicate, but they can be both delicate and hugely rash (saxophone) as needed. There is absolutely NO harmonic overruns that aren't in the music. Those dynamic driver resonance sounds you used to think is music are GONE. I had to get over that. I do indeed like deep bass, and I used a pair of 10" Velodyne DD10+ subs, and moved them to the CLX arts. They seem to work better than expected...and their smaller stereo pair size helps them be acceptably quick to better match the panels. What I wasn't expecting is the "sound" of the bass being so much more complex and resolving. If there are 100 words for snow, my old dynamic driver speakers got maybe 25% of the words across, the CLX arts? I'd say about 95% (they are still not fully broken in). I listen to little rock, but Supertramp, NICKEL BACK and the like still puts it out on the CLX-art with subs. The myths of electrostatic speakers have been busted in my mind. Imaging? I feared I'd get this detailed euphoric expanse of sound everyone references. Nope, the imaging is real life sized and precise in a HUGE box between and behind the speakers. There is so little mechanical resonance on the CLX art that the blackness and openness rides to infinity. The space around everything, not just the bass, midrange or treble, is utterly amazing. Box, what box? I detect ZERO electrostatic "halo" people also reference. You can make them brighter with position, but that's NOT a membrane resonance, it is energy distribution in the room. Hard to drive? My MOON W-8 barely gets warm runningvthem at 85dB average. My dynamic driver speakers got the W-8 HOT to the touch. The ideal seating position isn't as bad as many claim in my room, which is a screwy room, a 40' long room with a "L" shaped end. One speaker is against the wall, the other in the open end of the "L". So each speaker is really in a different "room". Some toe-in and out of each speaker got the image placement correct and excellent sounding. Truth be told, NO speaker I've owned and used in this room has sounded good in all but one single spot. The CLX arts sound SO GOOD in THAT ideal spot you never want to leave it anyway! They are so good you don't want to accept less. My dynamic driver speakers never reach the perfection of the CLX art, so moving about doesn't really make them much worse. I'm not sure if that's a compliment to dynamic driver speakers, really. It takes a few days to get used to dipole radiators, as everything seems backwards. They get louder as you move AWAY from the speaker. Speaker placement and toe in or out is also more room dependant to center the image. Throw away the 1/3 of the panel thing and LISTEN to the music! Get the speakers placed right so the midrange is centered, full, liquid and resolving. WHO CARES where the speakers are pointed. In my two different rooms "L" shaped mess mine are in, the speakers are a parallelogram. The right speaker by the wall is toed in. The left speaker in the open end of the "L" is toed in on the BASS panel side. So the hi-frequency panels are BOTH 62" from a front wall, with the BASS panels toed IN (right) and OUT (left) 3 inches. This places the imaging in a more center position with a full resolving sound. Yes, the room loads the speakers differently so be open minded to placement. Try stuff that's "wrong" in an ideal room. I'll keep tuning the placement but this odd ball looking set-up gets the job done. The image placement is in the upper third of the panels in my room, and wonderfully expansive to the left and right and even beyond the speakers. Voices and images are "big" but to a life-size rendition. So huge they are not. Correct they are. You won't see Linda Rhonstadt's tonsils if you dig overly large imaging. And on the other hand, they aren't British in compressing the image into a tiny pinpoint of spatial precision, either. The CLX art have pushed my expectations of musical "reproduction" to simply hearing the music. You just have to audition a set to understand this speaker, as it is so unlike anything else. I started out developing cables, and ended up buying new speakers! Rating a speaker is very subjective so my criteria is it can't be 5 stars unless it does EVERYTHING, so I give 4 stars to the CLX arts by themselves. The CLX art lack that dynamic bass POP which is not the same thing as static frequency response where they do very well (I measured them), but dynamic accuracy in the bass. Yes, I have a few cuts that are nuts dynamic in the bass. They are good, but I need those two subs too open-up the low frequency dynamics. But you simply cannot get the rest of the sound without the CLX arts. They do SO much more right than wrong compared to any speaker I've listen to and yes, even the MAGICO's and FOCAL EM series. So yes, there is a spot where they will excel to amazing standards for their price and you won't mind seating yourself there, either. It's not a head in a vise seat, but a relaxed livable position that is totally rewarding. If you need crocodile tears, put one in front of a set of CLX arts and bring a bucket! Way to go Martin Logan.