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CLS IIz

Klassische Full-Range-Reinheit

In vieler Hinsicht das Herz und die Seele von MartinLogan. Der CLS IIz projiziert musikalische Passagen so treu wie ein Prisma, das die Farben des Spektrums zerstreut.

Der Industriestandard für die Auflösung von Details, das krummlinige Diaphragma des CLS IIz reproduziert die gesamte musikalische Bandbreite. Der CLS IIz ist frei von Anomalien der Crossover-Phase und Verzerrungen durch mehrere Treiber und kann die subtile holographische Magie in der Musik offenlegen, die die Erfahrung vom Hören zum "Dort" macht.

Launched in 1992

Price when discontinued:
5.995,00 $

Meinungen von Fachleuten

Technische Daten

Die technischen Daten können ohne vorherige Ankündigung geändert werden

Frequenzantwort

35–20.000 Hz ± 3 dB

Empfohlene Verstärkerleistung

20 bis 400 Watt pro Kanal

Horizontale Dispersion

30 °

Vertikale Dispersion

48 "(121,92 cm) Leitungsquelle

Empfindlichkeit

86 dB / 2,83 Volt / Meter

Impedanz

4 Ohm, 1,5 bei 20 kHz Kompatibel mit Verstärkern mit 4, 6 oder 8 Ohm.

Hochfrequenzwandler

48 "(121,92 cm) CLS ™ elektrostatischer Wandler

Komponenten

Doppelte kundenspezifische Audiotransformatoren, Kondensatoren aus Polypropylen

Eingaben

4-Wege-Bindungsposten

Gewicht

85 lbs. (38,5 kg)

Maße

57,5 x 28 x 14,5
(146 x 71,1 cm x 36,8 cm)

Kundenbewertungen auf CLS IIz

Bitte, Einloggen oder Registrieren einen Kommentar hinzufügen.

Audio-Man

  • Dienstag, 1. Februar 2011

Best of the Best
Dear Martin & Logan I have had the CLS IIz's in my sound room for over 5 years and can't say enough about how these speakers handle sound. Although they are not an efficient speaker it's nothing that respectable tube gear can't handle. I would like to say that those nay sayer reviewers that report that "they don't rock", have not placed them in the correct room with the correct acoustic treatment and bracing. They are like a good wine or brandy... "They just need to breath!" I find them to have an incredible sound field and deliver a full range of micro and macro dynamics without adding color or signature to my recording. Note: I feel they are the best speakers for handling the difficult sound spectrum found in trumpets and excel with ease at making strings sound so natural and effortless. It has been a while since I have thought about my CLS IIz's, since I find that when you get sound correct, one tends to go on without looking back. Additionally, Like most, I generally listen to music with my eyes closed and often forgot all about them because they are simply not there to find. Just a huge wide sound with a complete sense of being in the front row or floating above (Depending on the recording). At times, I swear I can smell the singers perfume and see the direction that he piano is facing. It's a shame that audio equipment such as this treasure get left behind in the wake of the re-invention world we live... Thanks for the many music journeys. Respectfully Kevin Franklin Toronto Canada

Audio-Man

  • Dienstag, 1. Februar 2011

Best of the Best
Dear Martin & Logan I have had the CLS IIz's in my sound room for over 5 years and can't say enough about how these speakers handle sound. Although they are not an efficient speaker it's nothing that respectable tube gear can't handle. I would like to say that those nay sayer reviewers that report that "they don't rock", have not placed them in the correct room with the correct acoustic treatment and bracing. They are like a good wine or brandy... "They just need to breath!" I find them to have an incredible sound field and deliver a full range of micro and macro dynamics without adding color or signature to my recording. Note: I feel they are the best speakers for handling the difficult sound spectrum found in trumpets and excel with ease at making strings sound so natural and effortless. It has been a while since I have thought about my CLS IIz's, since I find that when you get sound correct, one tends to go on without looking back. Additionally, Like most, I generally listen to music with my eyes closed and often forgot all about them because they are simply not there to find. Just a huge wide sound with a complete sense of being in the front row or floating above (Depending on the recording). At times, I swear I can smell the singers perfume and see the direction that he piano is facing. It's a shame that audio equipment such as this treasure get left behind in the wake of the re-invention world we live... Thanks for the many music journeys. Respectfully Kevin Franklin Toronto Canada

Audio-Man

  • Dienstag, 1. Februar 2011

Best of the Best
Dear Martin & Logan I have had the CLS IIz's in my sound room for over 5 years and can't say enough about how these speakers handle sound. Although they are not an efficient speaker it's nothing that respectable tube gear can't handle. I would like to say that those nay sayer reviewers that report that "they don't rock", have not placed them in the correct room with the correct acoustic treatment and bracing. They are like a good wine or brandy... "They just need to breath!" I find them to have an incredible sound field and deliver a full range of micro and macro dynamics without adding color or signature to my recording. Note: I feel they are the best speakers for handling the difficult sound spectrum found in trumpets and excel with ease at making strings sound so natural and effortless. It has been a while since I have thought about my CLS IIz's, since I find that when you get sound correct, one tends to go on without looking back. Additionally, Like most, I generally listen to music with my eyes closed and often forgot all about them because they are simply not there to find. Just a huge wide sound with a complete sense of being in the front row or floating above (Depending on the recording). At times, I swear I can smell the singers perfume and see the direction that he piano is facing. It's a shame that audio equipment such as this treasure get left behind in the wake of the re-invention world we live... Thanks for the many music journeys. Respectfully Kevin Franklin Toronto Canada