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CLS IIz

クラシックフルレンジ純度

多くの点でMartinLoganの心と魂。 CLS IIzはプリズムがスペクトルの色を分散させるのと同じくらい忠実に音楽の一節を投影します。

詳細を解決するための業界標準であるCLS IIzの曲線ダイアフラムは、音楽の全範囲を再現しています。クロスオーバー位相の異常やマルチドライバーの歪みがないCLS IIzは、音楽内の微妙なホログラフィックマジックを明らかにすることができます。

Launched in 1992

Price when discontinued:
$5,995.00

押す

仕様

仕様は予告なしに変更されることがあります。

周波数応答

35〜20,000 Hz±3dB

推奨アンプ電力

1チャンネルあたり20〜400ワット

水平分散

30°

垂直分散

48インチ(121.92cm)ラインソース

感度

86 dB / 2.83ボルト/メートル

インピーダンス

4Ω、1.5 kHz、20 kHz 4、6、または8Ω定格のアンプと互換性があります。

高周波トランスデューサー

48 "(121.92cm)CLS™静電トランスデューサ

コンポーネント

デュアルカスタム巻きオーディオトランス、ポリプロピレンコンデンサ

入力

4方向バインディングポスト

重量

85ポンド。 (38.5kg)

寸法

57.5 "×28"×14.5 "
(146cm×71.1cm×36.8cm)

カスタマーレビュー にとって CLS IIz

お願いします, サインイン または サインアップ コメントを追加する.

Audio-Man

  • 2011年2月1日火曜日

Best of the Best
Dear Martin & Logan I have had the CLS IIz's in my sound room for over 5 years and can't say enough about how these speakers handle sound. Although they are not an efficient speaker it's nothing that respectable tube gear can't handle. I would like to say that those nay sayer reviewers that report that "they don't rock", have not placed them in the correct room with the correct acoustic treatment and bracing. They are like a good wine or brandy... "They just need to breath!" I find them to have an incredible sound field and deliver a full range of micro and macro dynamics without adding color or signature to my recording. Note: I feel they are the best speakers for handling the difficult sound spectrum found in trumpets and excel with ease at making strings sound so natural and effortless. It has been a while since I have thought about my CLS IIz's, since I find that when you get sound correct, one tends to go on without looking back. Additionally, Like most, I generally listen to music with my eyes closed and often forgot all about them because they are simply not there to find. Just a huge wide sound with a complete sense of being in the front row or floating above (Depending on the recording). At times, I swear I can smell the singers perfume and see the direction that he piano is facing. It's a shame that audio equipment such as this treasure get left behind in the wake of the re-invention world we live... Thanks for the many music journeys. Respectfully Kevin Franklin Toronto Canada

Audio-Man

  • 2011年2月1日火曜日

Best of the Best
Dear Martin & Logan I have had the CLS IIz's in my sound room for over 5 years and can't say enough about how these speakers handle sound. Although they are not an efficient speaker it's nothing that respectable tube gear can't handle. I would like to say that those nay sayer reviewers that report that "they don't rock", have not placed them in the correct room with the correct acoustic treatment and bracing. They are like a good wine or brandy... "They just need to breath!" I find them to have an incredible sound field and deliver a full range of micro and macro dynamics without adding color or signature to my recording. Note: I feel they are the best speakers for handling the difficult sound spectrum found in trumpets and excel with ease at making strings sound so natural and effortless. It has been a while since I have thought about my CLS IIz's, since I find that when you get sound correct, one tends to go on without looking back. Additionally, Like most, I generally listen to music with my eyes closed and often forgot all about them because they are simply not there to find. Just a huge wide sound with a complete sense of being in the front row or floating above (Depending on the recording). At times, I swear I can smell the singers perfume and see the direction that he piano is facing. It's a shame that audio equipment such as this treasure get left behind in the wake of the re-invention world we live... Thanks for the many music journeys. Respectfully Kevin Franklin Toronto Canada

Audio-Man

  • 2011年2月1日火曜日

Best of the Best
Dear Martin & Logan I have had the CLS IIz's in my sound room for over 5 years and can't say enough about how these speakers handle sound. Although they are not an efficient speaker it's nothing that respectable tube gear can't handle. I would like to say that those nay sayer reviewers that report that "they don't rock", have not placed them in the correct room with the correct acoustic treatment and bracing. They are like a good wine or brandy... "They just need to breath!" I find them to have an incredible sound field and deliver a full range of micro and macro dynamics without adding color or signature to my recording. Note: I feel they are the best speakers for handling the difficult sound spectrum found in trumpets and excel with ease at making strings sound so natural and effortless. It has been a while since I have thought about my CLS IIz's, since I find that when you get sound correct, one tends to go on without looking back. Additionally, Like most, I generally listen to music with my eyes closed and often forgot all about them because they are simply not there to find. Just a huge wide sound with a complete sense of being in the front row or floating above (Depending on the recording). At times, I swear I can smell the singers perfume and see the direction that he piano is facing. It's a shame that audio equipment such as this treasure get left behind in the wake of the re-invention world we live... Thanks for the many music journeys. Respectfully Kevin Franklin Toronto Canada