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CLS IIz

Pureza de rango completo clásico

En muchos sentidos, el corazón y el alma de MartinLogan. El CLS IIz proyecta pasajes musicales tan fielmente como un prisma dispersa los colores del espectro.

El estándar de la industria para resolver detalles, el diafragma curvilíneo del CLS IIz reproduce toda la gama musical. Libre de anomalías de la fase de cruce y distorsiones de varios controladores, el CLS IIz es capaz de revelar la magia holográfica sutil dentro de la música que transforma la experiencia de escuchar "estar allí".

Launched in 1992

Price when discontinued:
5.995,00 US$

prensa

Presupuesto

Las especificaciones están sujetas a cambios sin previo aviso

Respuesta frecuente

35–20,000 Hz ± 3dB

Potencia recomendada del amplificador

20—400 vatios por canal

Dispersión horizontal

30 °

Dispersión vertical

Fuente de línea de 48 "(121,92 cm)

Sensibilidad

86 dB / 2.83 voltios / metro

Impedancia

4 ohmios, 1.5 a 20 kHz Compatible con amplificadores de 4, 6 u 8 ohmios.

Transductor de alta frecuencia

Transductor electrostático CLS ™ de 48 "(121,92 cm)

Componentes

Transformadores de audio de doble herida personalizados, condensadores de polipropileno.

Entradas

Postes de enlace de 4 vías

Peso

85 lbs. (38.5 kg)

Dimensiones

57.5 "x 28" x 14.5 "
(146cm x 71.1cm x 36.8cm)

Valoración de los clientes por CLS IIz

Por favor, Registrarse o Regístrate para agregar comentarios.

Audio-Man

  • martes, 1 de febrero de 2011

Best of the Best
Dear Martin & Logan I have had the CLS IIz's in my sound room for over 5 years and can't say enough about how these speakers handle sound. Although they are not an efficient speaker it's nothing that respectable tube gear can't handle. I would like to say that those nay sayer reviewers that report that "they don't rock", have not placed them in the correct room with the correct acoustic treatment and bracing. They are like a good wine or brandy... "They just need to breath!" I find them to have an incredible sound field and deliver a full range of micro and macro dynamics without adding color or signature to my recording. Note: I feel they are the best speakers for handling the difficult sound spectrum found in trumpets and excel with ease at making strings sound so natural and effortless. It has been a while since I have thought about my CLS IIz's, since I find that when you get sound correct, one tends to go on without looking back. Additionally, Like most, I generally listen to music with my eyes closed and often forgot all about them because they are simply not there to find. Just a huge wide sound with a complete sense of being in the front row or floating above (Depending on the recording). At times, I swear I can smell the singers perfume and see the direction that he piano is facing. It's a shame that audio equipment such as this treasure get left behind in the wake of the re-invention world we live... Thanks for the many music journeys. Respectfully Kevin Franklin Toronto Canada

Audio-Man

  • martes, 1 de febrero de 2011

Best of the Best
Dear Martin & Logan I have had the CLS IIz's in my sound room for over 5 years and can't say enough about how these speakers handle sound. Although they are not an efficient speaker it's nothing that respectable tube gear can't handle. I would like to say that those nay sayer reviewers that report that "they don't rock", have not placed them in the correct room with the correct acoustic treatment and bracing. They are like a good wine or brandy... "They just need to breath!" I find them to have an incredible sound field and deliver a full range of micro and macro dynamics without adding color or signature to my recording. Note: I feel they are the best speakers for handling the difficult sound spectrum found in trumpets and excel with ease at making strings sound so natural and effortless. It has been a while since I have thought about my CLS IIz's, since I find that when you get sound correct, one tends to go on without looking back. Additionally, Like most, I generally listen to music with my eyes closed and often forgot all about them because they are simply not there to find. Just a huge wide sound with a complete sense of being in the front row or floating above (Depending on the recording). At times, I swear I can smell the singers perfume and see the direction that he piano is facing. It's a shame that audio equipment such as this treasure get left behind in the wake of the re-invention world we live... Thanks for the many music journeys. Respectfully Kevin Franklin Toronto Canada

Audio-Man

  • martes, 1 de febrero de 2011

Best of the Best
Dear Martin & Logan I have had the CLS IIz's in my sound room for over 5 years and can't say enough about how these speakers handle sound. Although they are not an efficient speaker it's nothing that respectable tube gear can't handle. I would like to say that those nay sayer reviewers that report that "they don't rock", have not placed them in the correct room with the correct acoustic treatment and bracing. They are like a good wine or brandy... "They just need to breath!" I find them to have an incredible sound field and deliver a full range of micro and macro dynamics without adding color or signature to my recording. Note: I feel they are the best speakers for handling the difficult sound spectrum found in trumpets and excel with ease at making strings sound so natural and effortless. It has been a while since I have thought about my CLS IIz's, since I find that when you get sound correct, one tends to go on without looking back. Additionally, Like most, I generally listen to music with my eyes closed and often forgot all about them because they are simply not there to find. Just a huge wide sound with a complete sense of being in the front row or floating above (Depending on the recording). At times, I swear I can smell the singers perfume and see the direction that he piano is facing. It's a shame that audio equipment such as this treasure get left behind in the wake of the re-invention world we live... Thanks for the many music journeys. Respectfully Kevin Franklin Toronto Canada