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CLS IIz

Классическая чистота полного спектра

Во многом сердце и душа MartinLogan. CLS IIz проецирует музыкальные пассажи так же верно, как призма рассеивает цвета спектра.

Криволинейная диафрагма CLS IIz, являющаяся отраслевым стандартом разрешения деталей, воспроизводит весь музыкальный диапазон. Свободный от фазовых аномалий кроссовера и искажений с несколькими драйверами, CLS IIz способен раскрыть тонкую голографическую магию в музыке, которая преобразует опыт от прослушивания до «присутствия там».

Launched in 1992

Price when discontinued:
5 995,00 $

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Характеристики

Технические характеристики могут быть изменены без предварительного уведомления

Частотный отклик

35–20 000 Гц ± 3 дБ

Рекомендуемая мощность усилителя

20—400 Вт на канал

Горизонтальная дисперсия

30 °

Вертикальная дисперсия

Линейный источник 48 "(121,92 см)

чувствительность

86 дБ / 2,83 вольт / метр

полное сопротивление

4 Ом, 1,5 при 20 кГц Совместимо с усилителями на 4, 6 или 8 Ом.

Высокочастотный преобразователь

Электростатический преобразователь CLS ™ 48 "(121,92 см)

Компоненты

Аудио трансформаторы с двойной обмоткой, полипропиленовые конденсаторы

входные

4-х сторонние обязательные сообщения

Вес

85 фунтов (38,5 кг)

Размеры

57,5 "х 28" х 14,5 "
(146 см х 71,1 см х 36,8 см)

Отзывы клиентов - CLS IIz

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Audio-Man

  • вторник, 1 февраля 2011 г.

Best of the Best
Dear Martin & Logan I have had the CLS IIz's in my sound room for over 5 years and can't say enough about how these speakers handle sound. Although they are not an efficient speaker it's nothing that respectable tube gear can't handle. I would like to say that those nay sayer reviewers that report that "they don't rock", have not placed them in the correct room with the correct acoustic treatment and bracing. They are like a good wine or brandy... "They just need to breath!" I find them to have an incredible sound field and deliver a full range of micro and macro dynamics without adding color or signature to my recording. Note: I feel they are the best speakers for handling the difficult sound spectrum found in trumpets and excel with ease at making strings sound so natural and effortless. It has been a while since I have thought about my CLS IIz's, since I find that when you get sound correct, one tends to go on without looking back. Additionally, Like most, I generally listen to music with my eyes closed and often forgot all about them because they are simply not there to find. Just a huge wide sound with a complete sense of being in the front row or floating above (Depending on the recording). At times, I swear I can smell the singers perfume and see the direction that he piano is facing. It's a shame that audio equipment such as this treasure get left behind in the wake of the re-invention world we live... Thanks for the many music journeys. Respectfully Kevin Franklin Toronto Canada

Audio-Man

  • вторник, 1 февраля 2011 г.

Best of the Best
Dear Martin & Logan I have had the CLS IIz's in my sound room for over 5 years and can't say enough about how these speakers handle sound. Although they are not an efficient speaker it's nothing that respectable tube gear can't handle. I would like to say that those nay sayer reviewers that report that "they don't rock", have not placed them in the correct room with the correct acoustic treatment and bracing. They are like a good wine or brandy... "They just need to breath!" I find them to have an incredible sound field and deliver a full range of micro and macro dynamics without adding color or signature to my recording. Note: I feel they are the best speakers for handling the difficult sound spectrum found in trumpets and excel with ease at making strings sound so natural and effortless. It has been a while since I have thought about my CLS IIz's, since I find that when you get sound correct, one tends to go on without looking back. Additionally, Like most, I generally listen to music with my eyes closed and often forgot all about them because they are simply not there to find. Just a huge wide sound with a complete sense of being in the front row or floating above (Depending on the recording). At times, I swear I can smell the singers perfume and see the direction that he piano is facing. It's a shame that audio equipment such as this treasure get left behind in the wake of the re-invention world we live... Thanks for the many music journeys. Respectfully Kevin Franklin Toronto Canada

Audio-Man

  • вторник, 1 февраля 2011 г.

Best of the Best
Dear Martin & Logan I have had the CLS IIz's in my sound room for over 5 years and can't say enough about how these speakers handle sound. Although they are not an efficient speaker it's nothing that respectable tube gear can't handle. I would like to say that those nay sayer reviewers that report that "they don't rock", have not placed them in the correct room with the correct acoustic treatment and bracing. They are like a good wine or brandy... "They just need to breath!" I find them to have an incredible sound field and deliver a full range of micro and macro dynamics without adding color or signature to my recording. Note: I feel they are the best speakers for handling the difficult sound spectrum found in trumpets and excel with ease at making strings sound so natural and effortless. It has been a while since I have thought about my CLS IIz's, since I find that when you get sound correct, one tends to go on without looking back. Additionally, Like most, I generally listen to music with my eyes closed and often forgot all about them because they are simply not there to find. Just a huge wide sound with a complete sense of being in the front row or floating above (Depending on the recording). At times, I swear I can smell the singers perfume and see the direction that he piano is facing. It's a shame that audio equipment such as this treasure get left behind in the wake of the re-invention world we live... Thanks for the many music journeys. Respectfully Kevin Franklin Toronto Canada