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CLS IIz

经典的全方位纯度

在许多方面,马丁洛根的心脏和灵魂。 CLS IIz忠实地将音乐段落作为棱镜分散了光谱的颜色。

作为解决细节的行业标准,CLS IIz的曲线振膜再现了整个音乐范围。 CLS IIz不受交叉相位异常和多驱动器失真的影响,能够揭示音乐中的微妙全息魔法,将听觉中的体验转化为“存在”。

Launched in 1992

Price when discontinued:
US$5,995.00

产品规格

规格如有更改,恕不另行通知

频率响应

35-20,000 Hz±3dB

推荐的放大器功率

每通道20-400瓦

水平分散

30°

垂直分散

48英寸(121.92厘米)线源

灵敏度

86 dB / 2.83伏/米

阻抗

4 Ohms,1.5 at 20 kHz兼容4,6或8 Ohm额定放大器。

高频传感器

48英寸(121.92厘米)CLS™静电传感器

组件

双定制绕线音频变压器,聚丙烯电容器

输入

4路绑定帖

重量

85磅(38.5公斤)

外形尺寸

57.5“x 28”x 14.5“
(146cm x 71.1cm x 36.8cm)

顾客评论 对于 CLS IIz

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Audio-Man

  • 2011年2月1日星期二

Best of the Best
Dear Martin & Logan I have had the CLS IIz's in my sound room for over 5 years and can't say enough about how these speakers handle sound. Although they are not an efficient speaker it's nothing that respectable tube gear can't handle. I would like to say that those nay sayer reviewers that report that "they don't rock", have not placed them in the correct room with the correct acoustic treatment and bracing. They are like a good wine or brandy... "They just need to breath!" I find them to have an incredible sound field and deliver a full range of micro and macro dynamics without adding color or signature to my recording. Note: I feel they are the best speakers for handling the difficult sound spectrum found in trumpets and excel with ease at making strings sound so natural and effortless. It has been a while since I have thought about my CLS IIz's, since I find that when you get sound correct, one tends to go on without looking back. Additionally, Like most, I generally listen to music with my eyes closed and often forgot all about them because they are simply not there to find. Just a huge wide sound with a complete sense of being in the front row or floating above (Depending on the recording). At times, I swear I can smell the singers perfume and see the direction that he piano is facing. It's a shame that audio equipment such as this treasure get left behind in the wake of the re-invention world we live... Thanks for the many music journeys. Respectfully Kevin Franklin Toronto Canada

Audio-Man

  • 2011年2月1日星期二

Best of the Best
Dear Martin & Logan I have had the CLS IIz's in my sound room for over 5 years and can't say enough about how these speakers handle sound. Although they are not an efficient speaker it's nothing that respectable tube gear can't handle. I would like to say that those nay sayer reviewers that report that "they don't rock", have not placed them in the correct room with the correct acoustic treatment and bracing. They are like a good wine or brandy... "They just need to breath!" I find them to have an incredible sound field and deliver a full range of micro and macro dynamics without adding color or signature to my recording. Note: I feel they are the best speakers for handling the difficult sound spectrum found in trumpets and excel with ease at making strings sound so natural and effortless. It has been a while since I have thought about my CLS IIz's, since I find that when you get sound correct, one tends to go on without looking back. Additionally, Like most, I generally listen to music with my eyes closed and often forgot all about them because they are simply not there to find. Just a huge wide sound with a complete sense of being in the front row or floating above (Depending on the recording). At times, I swear I can smell the singers perfume and see the direction that he piano is facing. It's a shame that audio equipment such as this treasure get left behind in the wake of the re-invention world we live... Thanks for the many music journeys. Respectfully Kevin Franklin Toronto Canada

Audio-Man

  • 2011年2月1日星期二

Best of the Best
Dear Martin & Logan I have had the CLS IIz's in my sound room for over 5 years and can't say enough about how these speakers handle sound. Although they are not an efficient speaker it's nothing that respectable tube gear can't handle. I would like to say that those nay sayer reviewers that report that "they don't rock", have not placed them in the correct room with the correct acoustic treatment and bracing. They are like a good wine or brandy... "They just need to breath!" I find them to have an incredible sound field and deliver a full range of micro and macro dynamics without adding color or signature to my recording. Note: I feel they are the best speakers for handling the difficult sound spectrum found in trumpets and excel with ease at making strings sound so natural and effortless. It has been a while since I have thought about my CLS IIz's, since I find that when you get sound correct, one tends to go on without looking back. Additionally, Like most, I generally listen to music with my eyes closed and often forgot all about them because they are simply not there to find. Just a huge wide sound with a complete sense of being in the front row or floating above (Depending on the recording). At times, I swear I can smell the singers perfume and see the direction that he piano is facing. It's a shame that audio equipment such as this treasure get left behind in the wake of the re-invention world we live... Thanks for the many music journeys. Respectfully Kevin Franklin Toronto Canada