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CLS IIz

Pureté classique complète

À bien des égards, le cœur et l'âme de MartinLogan. Le CLS IIz projette des passages musicaux aussi fidèlement qu'un prisme dispersant les couleurs du spectre.

Le diaphragme curviligne de CLS IIz, norme de l'industrie en matière de résolution de problèmes, reproduit toute la gamme musicale. Libéré des anomalies de phase de croisement et des distorsions multi-pilotes, le CLS IIz est capable de révéler la magie holographique subtile au sein de la musique qui transforme l'expérience de l'écoute "d'être là".

Launched in 1992

Price when discontinued:
5 995,00 $US

Avis des Professionnels

Spécifications

Les spécifications sont sujettes à modification sans préavis

Fréquence de réponse

35 à 20 000 Hz ± 3 dB

Puissance d'amplificateur recommandée

20—400 watts par canal

Dispersion horizontale

30 °

Dispersion verticale

Source de ligne 48 "(121,92cm)

Sensibilité

86 dB / 2,83 volts / mètre

Impédance

4 ohms, 1,5 à 20 kHz Compatible avec les amplificateurs de 4, 6 ou 8 ohms.

Transducteur haute fréquence

Transducteur électrostatique CLS ™ de 48 "(121,92 cm)

Composants

Transformateurs audio bobinés sur mesure, condensateurs en polypropylène

Contributions

Bornes à 4 voies

Poids

85 lb (38,5 kg)

Dimensions

57,5 "x 28" x 14,5 "
(146cm x 71.1cm x 36.8cm)

Avis des clients sur CLS IIz

S'il vous plait, Se connecter ou S'inscrire pour ajouter un commentaire.

Audio-Man

  • mardi 1 février 2011

Best of the Best
Dear Martin & Logan I have had the CLS IIz's in my sound room for over 5 years and can't say enough about how these speakers handle sound. Although they are not an efficient speaker it's nothing that respectable tube gear can't handle. I would like to say that those nay sayer reviewers that report that "they don't rock", have not placed them in the correct room with the correct acoustic treatment and bracing. They are like a good wine or brandy... "They just need to breath!" I find them to have an incredible sound field and deliver a full range of micro and macro dynamics without adding color or signature to my recording. Note: I feel they are the best speakers for handling the difficult sound spectrum found in trumpets and excel with ease at making strings sound so natural and effortless. It has been a while since I have thought about my CLS IIz's, since I find that when you get sound correct, one tends to go on without looking back. Additionally, Like most, I generally listen to music with my eyes closed and often forgot all about them because they are simply not there to find. Just a huge wide sound with a complete sense of being in the front row or floating above (Depending on the recording). At times, I swear I can smell the singers perfume and see the direction that he piano is facing. It's a shame that audio equipment such as this treasure get left behind in the wake of the re-invention world we live... Thanks for the many music journeys. Respectfully Kevin Franklin Toronto Canada

Audio-Man

  • mardi 1 février 2011

Best of the Best
Dear Martin & Logan I have had the CLS IIz's in my sound room for over 5 years and can't say enough about how these speakers handle sound. Although they are not an efficient speaker it's nothing that respectable tube gear can't handle. I would like to say that those nay sayer reviewers that report that "they don't rock", have not placed them in the correct room with the correct acoustic treatment and bracing. They are like a good wine or brandy... "They just need to breath!" I find them to have an incredible sound field and deliver a full range of micro and macro dynamics without adding color or signature to my recording. Note: I feel they are the best speakers for handling the difficult sound spectrum found in trumpets and excel with ease at making strings sound so natural and effortless. It has been a while since I have thought about my CLS IIz's, since I find that when you get sound correct, one tends to go on without looking back. Additionally, Like most, I generally listen to music with my eyes closed and often forgot all about them because they are simply not there to find. Just a huge wide sound with a complete sense of being in the front row or floating above (Depending on the recording). At times, I swear I can smell the singers perfume and see the direction that he piano is facing. It's a shame that audio equipment such as this treasure get left behind in the wake of the re-invention world we live... Thanks for the many music journeys. Respectfully Kevin Franklin Toronto Canada

Audio-Man

  • mardi 1 février 2011

Best of the Best
Dear Martin & Logan I have had the CLS IIz's in my sound room for over 5 years and can't say enough about how these speakers handle sound. Although they are not an efficient speaker it's nothing that respectable tube gear can't handle. I would like to say that those nay sayer reviewers that report that "they don't rock", have not placed them in the correct room with the correct acoustic treatment and bracing. They are like a good wine or brandy... "They just need to breath!" I find them to have an incredible sound field and deliver a full range of micro and macro dynamics without adding color or signature to my recording. Note: I feel they are the best speakers for handling the difficult sound spectrum found in trumpets and excel with ease at making strings sound so natural and effortless. It has been a while since I have thought about my CLS IIz's, since I find that when you get sound correct, one tends to go on without looking back. Additionally, Like most, I generally listen to music with my eyes closed and often forgot all about them because they are simply not there to find. Just a huge wide sound with a complete sense of being in the front row or floating above (Depending on the recording). At times, I swear I can smell the singers perfume and see the direction that he piano is facing. It's a shame that audio equipment such as this treasure get left behind in the wake of the re-invention world we live... Thanks for the many music journeys. Respectfully Kevin Franklin Toronto Canada